Har-pa-Khered:Blue Child God of Ancient Egypt is Hari-Krishna:Blue Child God of India

Note: Written in 2011 – a Chapter from The Serpent, Eagle, Lion & the Disk

Significantly, the hieroglyphic symbol for HR – Har – Heru is the Falcon. This represents Garuda the Eagle of Hari – Vishnu. Garuda is in fact a form of Hari. The hieroglyphic symbol for child is a child putting his hand to his mouth – Krishna eating butter

Harpekhered appears in the Old Kingdom Pyramid Texts and here is one of them, taken from the pyramid of Teti at Saqqara

Cobra, to the sky! Horus’s centipede, to the earth! Horus’s sandal has stepped, nãj-snake. The nãj-snake is for Horus, the young boy with his finger in his mouth.”

Bronze statuette of Har-pa-khered, called Harpocrates in Greek, discovered in BagramAfghanistan, dated to the 2nd century AD

Pharaoh Akhenaten, Sanskrit Mittani & Ancient Mediterranean Religion

A 3300 year old stylised glass portrait of the Egyptian Pharaoh Akhenaten. Amarna Period © Corning Museum of Glass

EDITORIAL, Aug 8 (VNN) — Los Angeles, CA – April 10, 2000

Recently, the Los Angeles County Museum of Art held an exhibit called “Pharaohs of the Sun“. It turned out to be the most popular exhibit ever. The exhibit featured artifacts from the reigns of Akhenaten, Nefertiti, and the famous King Tut.

Modern scholars claim that Akhenaton was the worlds first known monotheist. However, the fact is, he was actually reviving an ancient monotheistic religious tradition. Unknown to most is the true nature of this religion. This religion was not only Vedic, but was actually an Indigenous Egyptian form of Vaisnavism.

Research has proven Akhenaton’s Vedic roots through his familial connections to the Hurrian/Mitanni peoples. Everyone agrees that the Mitanni were a Sanskrit speaking and writing people and they worshipped the Vedic gods. What is forgotten is the fact that Akhenaton’s father, his mother, and wife were all related to the Vedic Mitanni. Thus, it is no surprise that Akhenaton’s religion and Vedic religion share so many vedic similarities. The research of BhaktiAnanda Goswami has proven the Vaishnava nature of his religion.

Detail of the throne of Tutankhamun. Queen Ankhesenamun holds a salve-cup and spreads perfumed oil on her husband’s collar in a typical Amarna style scene. The sun-disc Aten shines above the royal couple. Country of Origin: Egypt. Culture: Ancient Egyptian. Date/Period: 18th dynasty 1327 BC. Material Size: Wood, gold, silver & precious stones.

On April 10, 2000, BhaktiAnanda Goswami of E.O.H.N. (Ecumenical Order of the Holy Name), and Vedic Empire Productions put together a tour and presentation on Akhenaten’s Vedic/Vaishnava past. During the two hours of the tour BhaktiAnanda Goswami enthusiastically pointed out the various vaishnava connections. Again and again he amazed and enlightened the tour participants. It is truly amazing how many ancient artifacts are related to the worship of Hari. Using the torchlight of knowledge, BhaktiAnanda Goswami clearly revealed the Vaishnava nature of Akhenaton’s religion. During the tour, many people unconnected to our group were intrigued and asked intelligent and sincere questions which BhaktiAnanda Goswami answered.

The program continued that evening at the Los Angeles Hare Krishna Temple where BhaktiAnanda gave a detailed talk on various examples of the ancient world’s global Vaishnava traditions. Using a scientific approach called linguistic archaeology, some of the key points he presented are as follows: 1) The original forms of the Supreme Personality of Godhead worshipped in the Mediterranean region were Radha-Krishna and Balarama. The center of this ancient Vaishnava culture was the Greek Isle of Rhodes.

950 BC Creator Ptah Divine Father Pita Lapis Lazuli

2) Jews, Egyptians, and Europeans all worshipped Lord Krishna in many forms all familiar to the modern day Vaishnava. Forms such as Matsya, Kurma, Narasimha, and Kalki. This tradition was called Heliopolitan because they worshipped Helios (Greek for Hari).

3) Hundreds of Jewish, Egyptian, and Greco Roman deity names (theophoric names) can be clearly identified as names of Krishna or Vishnu.

4) Official religious emblems, including the state seals of the Jewish kingdoms of Israel and Judah, were indisputably Vaishnava symbols, and directly connected to Akhenaton’s religion and the eternal Vaishnava traditions of India.

5) In ancient Egyptian religion, creation began from the form of NHRYN (Narayan) lying on the primordial waters. A lotus grows from His navel, and on this lotus appears the four armed and four headed Heliosphanes (Brahma) who speaks creation.

The Chios Kore

Ancient Cretan Korous 600 BC

6) Ancient Mediterranean Vaishnavism can be properly understood when we compare it to the authentic Vaishnava scriptural sources especially Bhagavad-Gita, and Srimad Bhagavatam, where the viratarupa (Universal Form) conception of the Supreme Lord is revealed. For example, Krishna’s self revelation in the “I Am” verses of the Bhagavad-Gita directly parallels the great hymns of HR-Heri of ancient Egypt. Therefore, ancient Egyptian religion considered HR-Heri the origin of all gods and deities. That is why they used the name HR-Heri or Asu (Vasu) along with deities considered to be aspects of Heri. Thus, the god of wealth was called KPHR/Kepe-Heri because in the Gita Krishna says “·I am Kubera”.

7) Being authentic followers of Vaishnavism, ancient Heliopolitan cities always had a presiding deity of Helios (Hari). He was always worshipped with His Fortuna (Goddess of Fortune or Shakti). Evidence shows that the original form of Helios (Hari) was worshipped on the Greek Isle of Rhodes as Kouros. The original form of Fortuna was named Rhoda.

8) Even modern scholars accept that Kouros was considered the origin of all the Greek gods. He is described as a beautiful youth tending His sacred white cows with His elder brother and friends. He plays a flute and leads the boys in dance as they clash their cymbals. He dances with Rhoda and Her expansions in a circle dance named after Him called the Chorus Dance. As the Lord of the Dance He is called Choreagos from which is derived the modern word ‘choreographer‘. The peacock feather was the pre-eminent symbol of both Helios and Kouros. Throughout the region Helios (Hari) was worshipped as the Lord of the Heart and the Supreme Personality of Love. That is why He is the Lord of all living entities, cultures, and traditions.

All of this evidence highlights the fact that we are all rooted in the tradition of pure devotional service to Sri Sri Radha Krishna and Balarama. BhaktiAnanda Goswami hopes that his research can be instrumental in reuniting all of God’s children and awaken the world to its common heritage as the people of Hari.

Peplos Kore, cast and reconstruction, Cambridge Museum of Classical Archaeology