UK 1969: Finding Krishna & Prabhupad with the Beatles

By Colin Jury/Kulashekar

“This article, published in the January 2013 edition of UK’s Hindu Today Magazine, represents a rare historic first hand account of Britain’s late 1960s popular cultural phenomenon. The intersection between ancient Vedic transcendence and the West’s vibrant 1960s cultural youth rebellion is rarely understood. Here, the author, Colin Jury/Kulashekar, Iskcon’s first British initiate, provides an intimate and accurate look into the era from the perspective of an active participant. Colin shares his role in those historic days with his Gurudev, Srila Prabhupada, the Beatles and his role in recording the ‘Top of the Pops” Radha Krishna Temple Album.

Colin Jury (center) during the recording of the Radha Krishna Temple Album

Colin Jury, was in fact, not only Srila Prabhupada’s first British disciple, but he was also his first initiated European disciple. Before joining Iskcon (the Hare Krishna Movement) he had been a lighting engineer for some of Britain’s top Rock bands such as Pink Floyd. After becoming a devotee, he dovetailed his expertise and ‘street cred’ into his service to his Gurudev, A.C. Bhaktivedanta Swami Prabhupada.

This article is also rare for it represents the one and only ever published by the author. He personally told me this was intentional. He said he wanted to save his story for an intended book. He in fact only agreed to publish this article as a favor to me, “a younger God brother Gurukuli veteran starting on a potentially promising new gig.” It was Lord Krsna’s Grace, for a month after publication, Colin Jury/Kulashekar left this world to join his beloved Srila Prabhupad and Sri Sri Venkateshwar. Hindu Today’s tribute to Kulashekar follows his article. BP

Note: The article was published during an Editorial transition period. Not wanting to skip a month, the edition was published despite being short-staffed. Thus the typos. The title and opening paragraph were not written by either the author nor myself. Also the picture of Yoko & John Lennon holding a much later Prabhupad picture is photoshopped.

Hindu Today’s Tribute to Colin Jury/Kulashekar Prabhu

Beikthano or ‘Vishnu City’ – Myanmar’s Most Ancient Urban Center – Burma’s Vaishnava Foundations

Original Source Airavat on Google Pages no longer available. This a combination of my research along with other sources. I actually worked on this months ago forgot it in the drafts. Though it is incomplete I feel it important to share at this time. I apologise for any errors.

Lakshmi at center and Vishnu on the right. Interior Sculptures – Shittaung Paya (en:Shite-thaung Temple) – Mrauk U (Myuhaung) – Arakan State – Myanmar (Burma). Photo by Adam Jones. NOTE; In Vietnam, very late and false claims identify obvious Shiva Linga worship as being the worship of a former Champa King. This same process of usurpation and erasure of Vedic history is found in Burma as well. Thus the above obvious Lakshmi Narayana sculpture is claimed to be a depiction of a former Burmese King. For centuries Theravadin extremists have attempted to erase Myanmar’s Vedic Vaishnava past. This effort rages on today.

The earliest human settlements in ancient Myanmar were along the coastline, in the fertile plain along the Irrawady River, and probably in the remote mountain ranges. As per local chronicles the first historic kingdom was established by Hindu immigrants, led by Prince Abhiraja of the Sakya warrior clan that ruled Kapilvastu. He founded the city of Sankissa (modern Tagaung), and also conquered the Arakan region.

The Mon people living in the coastal districts have a tradition that Hindus from southern India, specifically from the lower courses of the Krishna and Godavari Rivers, crossed the sea in ancient times and settled on the Irrawady delta. Their culture and language migled with those of the Mon.

The Thirty Seven Nats – Thurathadi (Saraswati), Sandi (Chandi), Paramethwa (Shiva), Mahapeinne (Ganesha), Beikthano (Vishnu) in Burmese representation. 1906 painting

Indigenous Burmese word ‘Nat’ is mistranslated as ‘spirit’. It is in fact the Sanskrit ‘Natha’ meaning ‘Lord’. This is a self-evident fact confirmed by the name of Bagan, Burma’s oldest sole remaining Vedic Temple, Nathlaung Kyaung. Modern translations such as, ‘shrine confining the spirits’ reflect Theravadin Buddhist hegemonic policies that attempted to weaken and erase rival ‘devotional’ religious traditions. The impact of atheistic doctrines are at times subtle. Yet when investigated, they reveal an outlook cold and stark. Thus we see today ‘Nat’ is translated as ‘spirit’ yet the original word Natha, often translated as ‘Lord’, in fact comes from ‘nathate’ “he helps, protects,” from the Proto-Indo-European root *nā- “to help.” Original religion is based upon such divine help, love and affection – the full emotional involvement of the Soul with the Supersoul.

According to the traditional history of Arakan, the first king of the province came from Benares on the Holy Ganga in India.

The discovery of stones inscribed with the ancient Indian Brahmi alphabet, used in the records of the Maurya Empire (326-185 BCE), prove that these traditional accounts have a basis in fact. Archaeological remains prove that the Sanskrit and Pali languages of India’s Vedic Civilization were cultivated in Myanmar, and that its people had adopted the Brahmanical and Buddhist religions then prevailing in India. Moreover the rulers of different kingdoms in Myanmar all had Sanskrit names.

Vishnu (Beikthano in Burmese) on his Eagle mount, Garuda, in a traditional Burmese depiction

Historic Kingdoms

Bagan, Myanmar ( Burma) Nathlaung Kyaung Vishnu Temple allegedly built by King Taungthugyi (r. 931-964 AD) yet dated earlier by some scholars. Nathlaung Kyaung Temple is the only remaining Hindu temple in Bagan and the most ancient Temple of any kind in Bagan. The structures of the original temple have disappeared, although the main hall remains. Originally, the temple contained statues of the 10 Avatars of Vishnu, including Gautama Buddha; however, today, only seven remain. The brick temple was isolated and unrepaired for many years, damaged by earthquakes.
The temple is set on a square template with steep-rising upper terraces. It may have been built by Indian artisans brought into Bagan (Pagan), during the 10th century AD, to work on it and other temples. As the oldest temple in Bagan, its style influenced and inspired the numerous other Buddhist structures that followed.

At the time of the Buddha, a Kshatriya clan form North India ruled upper Myanmar for 16 generations. Later this kingdom was lost and the clan founded a new state in lower Myanmar, with Sri-Kshetra (modern Prome) as capital. Here they merged into the original inhabitants, the Pyu people. The Chinese pilgrim Hiuen Tsang who visited India in the 7th century CE mentions this kingdom of Sri-Kshetra in his book. A Sanskrit inscription on the pedestal of a Buddha image bears the local ruler’s name: Jayachandra-varman.

Beikthano, named after Lord Vishnu, is the oldest urban site so far discovered in Myanmar/Burma. It’s remains—the structures, pottery, artefacts, and human skeletons—date from 200 BCE to 100 CE. Vishnu city was the first capital of a culturally and politically uniform state in the history of Burma and it was a Vaishnava based Civilization

Hiuen Tsang mentions another kingdom to the south of Sri-Kshetra called Dvaravati. This was ruled by the Hinduised Mon people. The Mons also inhabited the coastal regions of lower Myanmar, which were known as Ramannadesa.

As per epigraphic records a Hindu dynasty called Sri-Dharmarajaniya-Vamsa ruled in Arakan between 600-1000 CE. Coins found in the region have the names of rulers like Dharma Chandra, Niti Chandra and Vira Chandra. The capital of this kingdom was Vaisali whose ruins (modern Vethali) are found near Mrohaung.

The greatest of all these historic states was the Pyu Kingdom of Sri-Kshetra. It had 9 fortified garrison towns, while the capital Sri-Kshetra was over 40 km in circumference. It was protected by a moat and a wall built of glazed bricks, which had 12 gates and towers at the four corners. Within the city lived thousands of families, with over a 100 Buddhist monasteries, and an opulent royal court awash with gold and silver.

Lord Vishnu Carving at Myanmar’s Ancient Nat-Hlaung Kyaung Vishnu temple. It is one of the oldest temples in Bagan at dated 11th Cent AD but it’s original foundations are much more ancient

The significant absence of Buddhist statuary and relics of Pyu inscriptions fixes Beikthano (Vishnu) culture at an earliest stage of Pyu chronology. Clearly the city named after Vishnu was founded by Vaishnavas – Followers of Vishnu. As an Avatar of Vishnu, Buddhism developed as a new Dharmic Flowering within the same Culture Milieu

On the east of the Pyu Kingdom lay the Thai Kingdom of Nan-Chao—its rulers claimed descent from Ashok of the Maurya Empire and its Sanskrit name was Gandhara. In 754 CE the Thai king defeated the Chinese and invaded Sri-Kshetra, receiving the submission of the Pyus. A branch of the Thais, the Shan, settled in upper Mynamar and gave their name to the region. Again in 832 CE the Thais invaded, this time entering the capital city, plundering its wealth and taking 3000 prisoners.

But the Pyu Kingdom survived this blow. A new capital was established at Arimardanpura (Pagan) in 849 CE, which continued till the 11th century. By this time a new power was making its presence felt in Myanmar.

The Myamma People

The Myamma (modern Bamar)trace their original home to Tibet and, passing through India, reached the forested regions of Myanmar at a remote period. Their being no substantial local population, the Myamma multiplied rapidly and probably also recieved a small infusion of Indian immigrants into this mass.

Front view of Lakshmi Narayana Sculpture from Shittaung Paya Temple, Myanmar

The Myamma were tough and warlike, when compared to the Pyus or Mons, and the decline of the Pyu Kingdom was their opportunity. They established their own rule over Pagan—in 1044 CE Aniruddha, the greatest ruler of Myanmar, ascended the throne. He conquered and annexed the Mon Kingdom, in the process embracing the Hinduised Mon culture, adopting the Mon religion (Theravada Buddhism) and scripture, and adopting the Mon script for writing. Aniruddha’s conquests covered the whole country, including parts of Arakan. Even the proud Shan princes had to submit to Aniruddha.

The earliest forms of Sri Lankan Indigenous Helabasa that survives today is spoken by the ‘Veddha’ Hela people. It is said in the oral tradition that the Buddha spoke Helabasa on his three separate visits to the Island. A written record of Buddha’s first discourse to the Hela in the original Helabasa text was found recently and has subsequently been published. Although some may argue otherwise, it is inconceivable to think that the Buddha would speak any other language when he specifically instructed the Dhammadutha (‘missionary’) sages to impart the Dhamma (i.e. the teachings of the Buddha) in the mother tongue of the people so they may absorb the Dhamma in its entirety. Around the 5th century AD, a group of Buddhist monks whose intentions were to re-introduce Buddhism to the birth place of the Buddha in India (which by this time had declined) decided to translate all the old Helabasa Dhamma text into Pali (the language of the Buddha’s birth place). It is said in the oral tradition that after everything was translated into Pali; the original Helabasa texts were heaped into a pile ‘seven elephants high’ and burnt. From this point onwards, Buddhism had to be taught in the Pali language. The Hela who knew nothing of Pali were now unable to make use of all the wisdom of Buddhism. This misguided act of burning texts was a great injustice to the Hela and a gross insult to the Buddha and his teachings.” This was most likely the era when the original Buddhism of Lord Buddha was replaced by the ‘Atheistic’ doctrines of ‘Theravada’ Buddhism. The very act of ‘book burning’ is a clear indication of the mindset involved. It is based upon the denial of truth and ignores the spirit at the heart of the original template of religion.

His son Tribhuvanaditya-dharmaraja (1084 CE) built the famous Ananda temple, inspired by the designs of contemporary Indian temples. He also sent funds for the repair of Bodh Gaya in Bihar, and married a Chola princess. South Arakan acknowledged his supremacy. His grandson was married to an Indian princess from Pattikhera (Tripura).

Internal dissensions and intrigues plagued the ruling family for the next few generations. At this time a new danger was looming on the horizon. In 1254 CE Kublai Khan, the Mongol ruler of China, conquered the Thai Kingdom of Gandhara (Nan-Chao) and scattered the Thai people—branches entering the Shan region and others going south into Siam (modern Thailand).

In 1271 CE Kublai demanded the submission of Myanmar. The latter retaliated by boldly sending an army into the borderland, which was defeated. Revolts broke out across the country, and the king was murdered, but the knockout blow was delivered by the Mongols. Kublai Khan’s grandson marched into Pagan and completely destroyed it. The Mongols though did not stay to rule the country, which entered a phase of political disintegration and cultural decay for the next three centuries.

Modern and ancient names

The name Burma, familiar to people from the colonial period, was a corruption of Brahma (Bramma) and was initially believed by philologists to be derived from the Vedic God of that name. Given the Indian influence on South-East Asia in those times this appeared logical.

But from inscriptions it becomes apparent that it was the tribal name Myamma, which was Sanskritized to Mramma, and later became Brahma or Bramma. This is because of the adoption of the Sanskrit and Pali languages by the various peoples of Myanmar in ancient times.

This name Bramma was later anglicised to Burma, and continued through the colonial and post-colonial periods till it was changed to Myanmar. This change harks back to the glorious period of Myamma rule and the political unification of the country. And since the Myamma tolerated and openly embraced the cultures of the various peoples of the country, it’s fitting to revert to the old name for the country. 

Philippines- A Golden Heritage

Note: This article was originally compiled and published on in 2010. Due to it’s being compiled from various sources, some going back to the 1800s, not all the information is accurate. However the overall conclusion confirming the prehistoric Vedic foundations of Philippine Civilization are undeniable. Long discredited and minimized as an uncivilized backwater, the islands now known as the Philippines, were in fact the epicenter of High Civilization. Sanskrit, the Vedic Traditions and Deities were indigenous throughout the archipelago. It is no exaggeration to call them the ‘Golden Isles’ for it once was home to a vast network of Gold mining, crafting and trade.


When the Philippines drafted its Constitution, it placed the statue of Manu in the Assembly Hall with this inscription on its base: “The first, the greatest and the wisest law-giver of mankind.” Researches into the racial and cultural origins of the Philippines increasingly prove that it was colonized by some people in South India. In fact, the script of the Filipinos has some obvious similarities with that of South India. “Our dialects belong to the Dravidian family.” says Justice Romualdez. “The names of some places on the shores of Manila Bay and the coast of Luzon show their Sanskrit origin.”

Source: Pre-Colonial Philippines
Collection by Jacob Walse-Dominguez·
Pre-Colonial Indic Philippine Culture (clothing, dance, etc)

Indian influence is most patent in handicrafts and the old names of coins used there. Many social customs current there show a likeness to the Indian ones. Saleeby says, “The head-gods of the Indian Triad and the earliest Vedic gods had the foremost place in the minds and devotion of the hill-tribes of Luzon and Mindanao. A Ganesha statue too was found there. Indeed as Beyer says, “India has most profoundly affected the Philippine civilization.” 

Even the national flower of Philippines is the Indian Champaka. The Indian influence on Philippines is explicable by the fact that it was that it was for 150 years a colony of a Java-based Hindu Empire of Sri Vijaya. (source: The Soul of India – By Satyavrata R Patel p. 30).

Indigenous Filipino Vedic Ceremony

“It is impossible to believe that the Hindus, if they came only as merchants, however great their number, would have impressed themselves in such a way as to give to these islanders, the Philippines, the number and the kind of words, which they did give. These names of dignitaries, of caciques, of high functionaries of the court, of noble ladies, indicate that these high positions, with names of Sanskrit origin, were occupied at one time by men, who spoke that language. The words of similar origin, for objects of war, fortresses and battle songs, for designating objects of religious beliefs, for superstitions, emotions, feelings, industrial and farming activities, show us clearly that the warfare, religion, literature, industry and agriculture were at once time in the hands of the Hindus and that this race was effectively dominant in the Philippines.” (source: El Sanscrito en la langua Tagalag – T H Pardo de Tavera Paris 1887; The Philippines and India – Dhirendra Nath Roy Manila 1929 and India and The World – By Buddha Prakash p. 119-120).

Source: 10 Reasons Why Life Was Better In Pre-Colonial Philippines

In the early stages of this lecture, I have already referred to the Iron age finds in the Philippines bearing close resemblance to objects found in South India about the same period, more than a thousand years before Christ, and also to other evidences of trade contact with Malaya, Indo-China North Borneo and Philippines in those remote times. The Spanish who dominated the Philippines in recent centuries are not likely to have preserved religious and cultural antiquities of other faiths.

Source: Pre-Colonial Philippines
Collection by Jacob Walse-Dominguez·
Pre-Colonial Indic Philippine Culture (clothing, dance, etc)

In 1820, however, a copper image of Siva was discovered in one of those islands which points to a remote period in which the worship of Siva had been introduced by South Indian merchants.

That these facts are by no means unsupported by other evidence may be shown by the remarks made by Mr. Phiroz Kutar, Technical Director, which were reported in the Madras ‘Hindu’ (October 1954):

“Researches into the cultural and racial origins of the people of Ceylon and of countries lying eastward have shown that they were once colonised from South India and in particular the Filipino script has striking similarities with that of Tamilark. These researches have also shown that Filipino dialects belonged to the Dravidian family.”   


Glittering Evidence    

By Ric Vil Hori

Here is a shining, and literally so, presentation produced by the Probe Team, a local video documentary show, entitled Gintong Pamana (Golden Heritage) about the discovery of excellent gold artifacts and jewelries dating from 10th to 13th century in Surigao, Mindanao island, in what could be one of the most important, tangible heritage not just of this country, which for decades had been groping in the dark as to the legacies of pre-colonial history, but in Asia as well that could rewrite history like never before.

Gold Sacred Brahmin Thread

This may also be the a glittering evidence mentioned from my previous blog, of spices and empires, that indeed this nation was once a place renowned in the ancient times for its unusual abundance of gold mentioned from the account of ancient Greeks (known as Chryse, the Golden One), Indians (Suvarnadvipa, Islands of Gold), Chinese (Chin-chou , Isle of Gold, Lusung Dao or “Luzon daw”), and even in biblical account to the court of King Solomon (Ophir)!

Even the Spanish historian who sailed with Magellan’s expedition, Pigafetta, exclaimed that gold in the islands were so abundant that just a simple dig could produce gold nuggets the size of walnuts.

The sudden disappearance of such treasures upon the arrival of colonizers were enigmatic, but the discovery of the Surigao gold artifacts provided clue that unlike ancient mainstream practices, the natives of these islands buried their gold even when the owners were yet alive (and in connection with previous discussions, sought the aid of their anitos or Elemental deities for safeguarding of such treasures from vile agendas, a practice that mainstream “modern” paradigms exacerbated by bigotry may not comprehend as to the reality it once held in the lives of these ancient, prosperous ancestors).

The whole documentary is generally presented in the local language, Tagalog. Even for foreigners who may not understand the tongue, witnessing the sheer excellence, intricate craftsmanship, priceless historical value, almost ethereal quality of the ancient golden artifacts may still leave anybody speechless.



Vedic Philippines: 900 AD – Earliest known Calendar-Dated Filipino Document

Note: I published this on the old back in 2010 with another article entitled ‘Philippines- A Golden Heritage‘. Inspired research of Native Filipino scholars and activists has revealed a tremendous historical past. Rather than an illiterate isolated island group, the ancient Philippine Civilizations were in fact highly cultured, literate and part of a vast trade network spanning half the globe.

It is the earliest known calendar-dated document used within the Philippine Islands.[1]

Kasulatang tansong natagpuan sa Laguna

A document was found in 1989 that was written in a much older and more complex writing system ever seen in the Philippines before.

On that day in 1989, a man in the concrete business was dredging sand at the mouth of the Lumbang River near Laguna de Ba’y when he uncovered a blackened roll of metal. Usually he would just throw away such junk, as it tended to get jammed in his equipment, but when he unfurled the roll he saw that it was a sheet of copper with strange writing on it, about the size of a magazine.

He offered the copper sheet to one of the antiques dealers in the area who bought it for next to nothing. The dealer, in turn, tried to sell it for a profit but when he found no buyers, he eventually sold it to the Philippine National Museum for just 2000 pesos.

In 1990, Antoon Postma, a Dutch expert in ancient Philippine scripts and Mangyan writing, and a long-time resident of the Philippines, translated the document that came to be known as the Laguna Copperplate Inscription (LCI). When he saw that the writing looked similar to the ancient Indonesian script called Kavi, and that the document bore a date from the ancient Sanskrit calendar, he enlisted the help of fellow Dutchman, Dr. Johann de Casparis, whose area of expertise was ancient Indonesia.

Casparis confirmed that the script and the words used in the Laguna document were exactly the same as those that were used on the island Java at the time stated in the document, which was the year 822, in the old Hindu calendar or the year 900 C.E. (Common Era) on our calendar.

In 1996, a Filipino history buff in California, Hector Santos, precisely converted the Sanskrit date over to our calendar by using astronomical software and some historical detective work. He determined that the Sanskrit date written on the plate was exactly Monday, April 21, 900 C.E.

swasti shaka warsatita 822 waisakha masa di(ng) jyotisa.

caturthi kresnapaksa somawara sana tatkala dayang angkatan lawan dengan ña sanak barngaran si bukah anak da dang hwan namwaran dibari waradana wi shuddhapattra ulih sang pamegat senapati di tundun barja(di) dang hwan nayaka tuhan pailah jayadewa.

di krama dang hwan namwaran dengan dang kayastha shuddha nu diparlappas hutang da walenda kati 1 suwarna 8 dihadapan dang huwan nayaka tuhan puliran kasumuran.

dang hwan nayaka tuhan pailah barjadi ganashakti. dang hwan nayaka tuhan binwangan barjadi bishruta tathapi sadana sanak kapawaris ulih sang pamegat dewata [ba]rjadi sang pamegat medang dari bhaktinda diparhulun sang pamegat. ya makaña sadaña anak cucu dang hwan namwaran shuddha ya kapawaris dihutang da dang hwan namwaran di sang pamegat dewata.

ini grang syat syapanta ha pashkat ding ari kamudyan ada grang urang barujara welung lappas hutang da dang hwa

From Laguna Copperplate Inscription Wikipedia

The plate was found in 1989 by a labourer near the mouth of the Lumbang River in Wawa, LumbanLaguna in the Philippines. The inscription was written in Old Malay using the Kawi script with Sanskrit and Old Javanese influences. 

The Laguna Copperplate Inscription, among other recent finds such as the Golden Tara of Butuan and 14th century pottery and gold jewellery in Cebu, is highly important in revising ancient Philippine history, which was until then considered by some Western historians to be culturally isolated from the rest of Asia, as no evident pre-Hispanic written records were found at the time.

The inscription is a document demonstrative of pre-Hispanic literacy and culture, and is considered to be a national treasure. It is currently deposited at the National Museum of Anthropology in Manila.[25]

Vishnu: Universal Deity or ‘Another Ethnic Hindu God’?

Note: Written in 2011 as a reply to a Hindu Critique of Sri Bhaktiananda Goswami’s thesis recognizing the Universality of Ancient Vaishnavism, with a particular rejection of the evidence confirming Christ as Vishnu/Krishna.

V.A. wrote: Actually this swami is a christian missionary and wants Hindus to convert to christianity. Jesus is Vishnu !! i ask this swami : why didn’t you said/say jesus is Allah ? certainly he knows that if he write such nonsense then Muslims will chop his hands. Jesus is not Vishnu Tattwa. He is and was a MYTH. So please swami ji stop writing nonsense.don’t impose your Lord on Hindus.

Bhaktiananda Goswami on right, with Catholic Father Karl Schray & Christian Hermitess Amata Rose, Coquille, Oregon, USA

My Reply: Greetings V.A., I am a student of Bhakti Ananda Goswami Maharaj, whom you call Swami. I have an entire chapter in my book, The Serpent, Eagle, Lion and Disk, that was written inspired by my studies of his research. The chapter is entitled ALLAH THE CARVER OF CREATION. Theres no hiding here. In fact Maharaj has revealed to me that the ‘Allah as a lunar goddess’ theory is wrong. Bhaktiananda Goswami clearly states that the very name Allah is in fact rooted in the name Hari.

And before you assume I’m an Islamist apologist, please refer to my hard hitting expose in the same book on the evils of religious iconoclastic extremism. I also clearly reveal that the Muslim rulers were very often tyrannical, brutal and genocidal towards their Hindu citizens.

I also focus on the destruction of the Bamiyan Buddhas as well. I reveal the ‘ignored by the world‘ Taliban declaration that it was vengeance for the demolition of the Babri Masjid (Mosque) at Ram Janmasthan in Ayodhya. In other words, the destruction of the Bamiyan Buddhas, though a historically recent event, represents a long list of ancient and sacred wonders forever lost to history. Stolen from posterity, countless treasures of humanity have been destroyed by the fires of iconoclastic zealotry.

Ayodhya of Lord Ramachandra as described in the Ancient Vedic Ramayana. Painting by Amit Nitore

I share details about the forgotten 1990s era ethnic cleansing of the Hazara people of the region as well. So there is no ignoring or white-washing of the Islamic rule of India.

We are clearly not ignorant of the conspiracies against Hinduism and India. Yet the irony of ironies is that as you claim to ‘defend’ Hinduism you miss the MOST IMPORTANT point. Thus you fail to see the glory of your own tradition. The fact is, in today’s world it is ‘Hinduism’ that has maintained the CLOSEST ties to the original template.

This is the original template as given by Lord Krsna himself at the beginning of time and in the Bhagavad Gita as well. In the Gita, Lord Krishna says ‘Time I Am’ thus the worship of God as Time was once prevalent in the ancient world.

In the ‘I Am’ verses of the Bhagavad Gita, Lord Krishna reveals himself within key archetypal beings, elements and forces of nature. We find that all these same exact forms self-identified by Krsna, have been worshiped as Divine whenever and wherever they are manifest.

Thus Bhakti Ananda Goswami’s is an effort to VEDify the Vedic claims that Krsna is worshiped across the innumerable universes, what to speak of this one small planet. Indeed Maharaj has discovered many evidences confirming that YES indeed Lord Vishnu as Hari is at the foundation of ALL religion! 

Meanwhile you in the name of defending Hindu Dharma are limiting Vishnu to a small geographical area and to one section of humanity. This is the view of one who does not truly believe in Lord Vishnu but assumes Vishnu and all religion are the mere inventions of the delirious and fearful human mind. Thus in this view all religious differences are a mere competitave clash of civilizations as if this were some petty blood-sport.

Whereas Bhakti Ananda Goswami Maharaj has revealed that just as we see India’s great diversity of Vaishnavism, be it Ram-Bhaktas or Jagannath or Gaura Nitai Bhaktas, the entire world was at one time unified in its diverse expressions of Bhakti. Differences are always there yet they are/were all authentic forms of Vaishnavism.

Diversity and harmony are naturally elementally part of functioning culture and civilization. Artificially imposed ‘top down’ narratives are unnecessary and redundant.

This is specifically true within the realm of Divine Faith. Ultimately there is only one primal tradition at the roots of Ancient humanity. Yet it is and has always been diverse in it’s varied expressions.

A case study of the diverse schools of Vaishnavism, be it Ram-Bhaktas or Jagannath or Gaura Nitai Bhaktas, they are all part of the same Vaishnava tradition. The ancient world was the same.

Rather than a pantheon of disconnected competing deities, all people recognized that there was one Supreme God of gods. They recognized that he had come to all the different tribes of the world in variety of expressions. Matching the diversity of peoples and cultures, God reciprocated accordingly. Thus there are diverse expressions of the same recognized Divine personality,God,be it as a Tortoise or a King. A.C. Bhaktivedanta Swami Prabhupada states that, “Krishna has incarnated even into the Ant community and is engaged in a variety of Lila, (Transcendental play.“)

Lord Ramachandra, God as the Perfect Man and Ideal Ruler and various related Lilas

By applying this template to the primal mystical root traditions of the world. Differences are always there yet they are/were all authentic forms of Vaishnavism.

The revolutionary and revelatory research of Sri Bhaktiananda Goswami establishes both the textual and contextual foundations confirming the actual origins of religion. Overawed Cavemen, Intervening Aliens or Divinely inspired humanity?

Yet whose Nature is it that awes? Who created the Galaxies, the origin of any potential Aliens? It was the same Divine Being(s) that inspired our Pyramid building ancestors and Human civilization itself. Thus today, rather than agriculture, Archeologists now identity Religion as the impetus for the very first cities.

The noble recognition that Hari is truly everywhere is at the foundation of Sri Bhaktiananda Goswami’s thesis. In fact, rather than a new fangled concept, this concept is foundational to Vedic thought.

It is also a natural part of the ‘Hindu’ outlook. It is a welcome opportunity for the Universal Lovers of Hari=God to overcome the number one impediment to true world harmony= Sectarianism.

Thank God there are nearly a billion people who Do Not claim to have a monopoly on God. Thank God for the Hindus of the world. It is their sacred Vedic legacy that has the potential to awaken this same universal recognition of God in the hearts of all.

For indeed Vedic India has maintained the Siddhanta (the Perfected Conclusions) and the actual mechanisms along with the rituals required to maintain and fulfill humanity’s covenant with Hari. 

These same mechanisms are also present in other ‘faiths’ but their meaning and significance has often been obscured and is definitely less accessable. Yet because of Vaishnava Siddhanta, Bhaktiananda Goswami has been able to once again revive our recognition of those eternal principles that are at the basis of the original and true religion.

The ancient Mediterranean traditions were also centered upon Hari long before Homer fabricated his version of Greek religion. And we find that the Jews worshiped the same deity as their neighbors in the same way the Gaudiya Gaura-Nitai Vaishnavs of Bengal are worshipping the same Lord as their Odiya Jagannath Bhakta neighbors.

Ancient prophecies regarding the Messiah, have been claimed by the Jews, perhaps in the same manner in which you are claiming Vishnu to be some sort of ethnic Indic ‘tribal’ deity.

The Solemnity of Our Lord Jesus Christ, King of the Universe.

However these ‘prophecies’ were in fact part of the entire ancient Mediterranean socio-religious paradigm and it was shared by all the theistic traditions of the West. And this is why Christianity spread so rapidly among the Gentiles. They recognized their long-awaited ‘Messiah’ their Great Healer and Serpent God Aesclepius, Zeus-Helios-Apollo in Lord Jesus Christ.

And similarly Buddhism spread so rapidly around half the globe. For the people recognzied their various forms of the Divine in Lord Buddha just as the Western world recognized their Supreme Deity/Creator God in the revelation of Lord Jesus Christ.

Asclepius and his Daughter Hygeia, Attic Relief, last quarter 4th century BC
Marble relief of Asclepius and his daughter Hygieia. From Therme, Greece, end of the 5th century BC. Istanbul Archaeological Museums.

It is also amazing how these alleged religious experts never mention the fact that Aesclepius and Helios worship was the predominant religion of the Mediterranean world during the Pre-Christian era. 

Yet they continually harp on the ‘highjacking’ of pagan symbols by the Christians. There was no need to hijack anything. Jesus Christ was the latest Avatar and revelation of these very same ancient ‘Pagan’ traditions as he was to the Judaic tradition. It was a new phase in an ancient continuity of religion and prophecy. Thus the symbols representing the same Deity and concepts were maintained by the followers of the Christ. 

A Google Image Search Return of Helios in Synagogue

Note the 4-Horse Self-driven Chariot of Helios, whose symbol is the Disc and whose primary bird is the Eagle. Helios who had herds of sacred cows and who was associated with the peacock feather. These are exact parallels to Vishnu Krishna Hari. Meanwhile the Sun God, Surya, does not drive his own chariot and has 7 horses. Yet just like Vishnu or Krsna, Helios is identified by the atheists as yet another ‘solar god’.

Lord Krishna Driving a 4 Horsed Chariot Rescues Princess Rukmini

The prominence of the chubby blue baby Butter-pot holding Harpocrates throughout the region is also a crucial fact proving the extant of ancient Vaishnavism in the region.

This also explains how and why these ‘Non-Jewish’ elements appear repeatedly in most Jewish houses of Worship dated to the pre-Christian era. They were all worshiping the same God. The evidence confirms it. Yet theories are accepted claiming the Jewish people, swept up in a post-Alexander Hellenistic mania, negligently adopted Greek divinities into Judaism. It’s a theory, yet it leaves too many unanswered questions. Bhaktiananda Goswami’s thesis, however, provides the answers.

The 2,700 yr old Royal Judaic Winged Disk Seal of King Hezekia directly links the ‘Abrahamic’ Faiths with the Vedic & ‘Pagan’ Traditions.

A piece of clay inscribed with the 2,700-year-old seal of King Hezekiah found in Jerusalem. The seal was used by the King himself, according to experts. The Winged Disk is the ancient Aniconic symbol or God. It is the Su Darshan (Auspicious Vision) of Hari on Garuda. The fact that one of History’s most devout Judaic Kings used this as his personal Royal Seal confirms the Sacredness of the allegedly ‘Pagan’ emblem of the ‘Winged Disk’.
The Ancient ‘Winged Disk’ is the Aniconic form of Hari (God who takes away) coming to the Rescue on the back of His Eagle Carrier, Garuda. This image of God as the ‘Winged Disk’ represents the Liberating Loving God as the Ultimate ‘Auspicious Vision’ of God, the Su Darshan of Hari, thus the Disk shape. This Aniconic form is found at the core of diverse cultures, religions, tribes and regions because the same Hari was being worshipped throughout the entire Ancient world.The 2,700 year old Royal Judaic Winged Disk Seal of King Hezekia represents Yahweh, the God of Abraham. And the exact same symbol represents HR/Heru and the Supreme God of every Ancient Mesopotamian civilization. It is also the symbol for God within the ancient Zoroastrian religion. It is the same Vishnu being worshipped.

The impact of this Aesclepius Serpent-God as Healer tradition is such that today we still use this symbol to represent anything related to the medical field.

Egyptian Anubis with the Serpent Staff of Healing
Caduceus & Staff of Asclepius

Thus today we still use a word named after Hygieia, the daughter of Aesclepius, whenever we use the word Hygiene. These ancient elemental impacts on modern society are not limited to the realm of medicine alone!

This same symbol of healing is universal be it the Serpent-staff of Moses, the Serpent Staff of Egyptian Anubis or the words of Christ, ” As Moses lifted up the snake in the desert, so must the Son of Man be lifted up so that everyone who believes may have eternal life in Him.” John 14-15

The fact that the same serpent symbol has the same meaning even today is yet another piece in the puzzle Though forgotten and denied, the evidence is Undeniable. We all share a common legacy. This common legacy reaches back to the earliest epochs of time and history. It is our common heritage; a part of all humanity at the most primal level.

Ancient Christian Peacock Symbolism Predates the use of Christ on the Cross imagery

The very similarities that the athiests and religious chauvinists abuse to discredit the historicity of Christ are in fact the evidences confirming that Jesus Christ indeed walked this earth. Isis and Baby Horus, Yashoda and Baby Krsna and Mary and Baby Christ all reflect the same concepts because they are representing the SAME Divinity. These commonalities are genuine and not based upon the shallow attempts of some to hijack the ancient Coptics or Hindus.

This theory requires either the total denial of God as a living force that actually interacts with humanity or hinges upon the idea of a very narrow small-minded and prejudiced God. In other words it is to hold that humanity invented God or that God is so distant he chose one small group to interact with.

Asclepius the Divine Healer, Baladeva/Ananta Shesha Naga & Jesus Christ are One

The entire creation and all its creatures are the equal recipients of God’s love. True religion is the imprint of God’s relationship with humanity.  What human beings did with that legacy is an entirely different subject.

Asclepeions were healing temples located in ancient Greece, dedicated to Asclepius, the first doctor-demigod in Greek mythology. Asclepius was said to have been such a skilled doctor that, (like Lord Jesus Christ, BP) he could even raise people from the dead. Wikipedia

So who’s perspective matches the very words and claims of the Vedas and of Lord Krsna himself? Yours that obviously sees Vishnu as a mere Indian invention and thus another mundane myth of a certain numerically minor/major population group? Or is Hari-Vishnu truly the Supreme Lord of countless billions of planets and beings thru out the entire creation?

The study of the how, why and when of that cosmic divine imprint upon humanity, civilization and culture is the study of the entire history of world religion. 

The interior of a Healing Temple of Asclepius. Note the Serpent Staff which was the Serpent Staff of Moses and is the Modern symbol for anything related to the Medical field

The interior of a Healing Temple of Asclepius. Note the Serpent Staff which was the Serpent Staff of Moses and is the Modern symbol for anything related to the Medical field.

Star of life, blue version. Represents the Rod of Asclepius, with a snake around it, on a 6-branch star shaped as the cross 
The Disputation of the Sacrament by the Italian Renaissance artist Raphael. It was painted between 1509 and 1510

Vietnam PM Declares Vishnu, Shiva, Durga, Buddha & Surya Murtis as National Treasures

Source: Voice of Vietnam 10/4/012
Note: Published June 2013 on are directly above images. The original article provides dates ranging over 2,000 years. These represent Cultural timelines rather than the actual dates associated with the various artifacts. Ive highlighted and corrected some mis-identifications as well. BP

Vietnam announces 30 national treasures

Very unique & ancient Vedic Vietnamese Oc Eo Culture Vishnu Murti features the Sudarshan Chakra in the form of a Club (BP)

Thirty valuable items representing Vietnam’s historic regions and eras have been recognized as national treasures. According to a decision by Prime Minister Nguyen Tan Dung, the newly-recognized treasures are:

Vedic Sun God Surya dated from 1-600s AD

1) Ngoc Lu bronze drum (of Dong Son culture (700 – 100 BC), currently kept at the Vietnam National Museum of History in Hanoi)

Identified as ‘Devi Goddess’ of the Vedic Vietnamese Cham Culture

The Ngoc Lu drum is regarded as the most important and prominent of the Dong Son culture of the Bronze Age. The drum was accidentally discovered in 1893 in Ha Nam Province, southeast of Hanoi. In contrast to most other drums of the Dong Son, the tympanum bears three concentric panels, which depict animals or humans, interleaved with bands of geometric or circular patterns. 

Ancient Vedic Vietnamese Cham Shiva Lingam & Yoni

2) Hoang Ha bronze drum (of Dong Son culture (700 – 100 BC), currently kept at the Vietnam National Museum of History in Hanoi)

The Hoàng Ha drum is a notable specimen of the Dong Son culture of the Bronze Age which was discovered in Ha Son Binh Province in 1937 near the village of Hoàng Ha.

3) Dao Thinh bronze jar (of Dong Son culture (700 – 100 BC), currently kept at the Vietnam National Museum of History in Hanoi)

4) Bronze statue of a panpipe-playing couple piggybacking (of Dong Son culture (700 – 100 BC), currently kept at the Vietnam National Museum of History in Hanoi). It is 8.5cm tall, 9.5cm wide, and was made around 2,000-2,500 years ago.

5) Bronze lamp in the shape of a kneeling man (of Dong Son culture (700 – 100 BC), currently kept at the Vietnam National Museum of History in Hanoi)

6) Canh Thinh bronze drum (Tay Son era 1778 – 1802 currently kept at the Vietnam National Museum of History in Hanoi)

7) Bronze royal stamp (Tran dynasty 1226 – 1400 currently kept at the Vietnam National Museum of History in Hanoi)

8) Pottery jar with swan patterns (1428 – 1527 era, currently kept at the Vietnam National Museum of History in Hanoi)

9) Đường Kách mệnh (Revolutionary Road), a book (in 1927) by Nguyen Ai Quoc who later became President Ho Chi Minh. The book is about the morality of a Communist person, the political standpoints of the author and the path of a revolution. It is currently being kept at the Vietnam National Museum of History in Hanoi.

10) Prison Diary. It is a collection of poems written by a political prisoner who later became President Ho Chi Minh. It is currently kept at the Vietnam National Museum of History in Hanoi.

11) Handwritten draft of President Ho Chi Minh’s appeal to the whole nation for the resistance war written at the end of 1946. It is currently kept at the Vietnam National Museum of History in Hanoi.

12) Draft of the appeal to citizens and soldiers nationwide” (read by President Ho Chi Minh on Radio the Voice of Vietnam in July 1966, currently kept at the Ho Chi Minh Museum in Hanoi.

13) President Ho Chi Minh’s Testament (the original will Uncle Ho wrote over 1965-1969, currently kept at the Central Party Committee Office’s Archive Department)

14) Dong Duong Buddhist statue (Champa culture 192 – 1832), currently kept at the Ho Chi Minh City History Museum in Ho Chi Minh City

15) Devi Goddess statue (Champa culture 192 – 1832), currently kept at the Ho Chi Minh City History Museum in Ho Chi Minh City 

16) Vishnu goddess [sic] (God) statue (Oc Eo Culture 1 – 630 AD), currently kept at the History Museum of Ho Chi Minh City.

Very unique & ancient Vedic Vietnamese Oc Eo Culture Vishnu Murti features the Sudarshan Chakra in the form of a Club (BP)

17) Loi My Buddha Statue (Oc Eo Culture 1 – 630 AD), currently kept at the History Museum of Ho Chi Minh City.

18) God Surya Statue (Oc Eo Culture 1 – 630 AD), currently kept at the History Museum of Ho Chi Minh City.

19) Tara Bodhisattva Statue (Champa culture 192 – 1832), currently kept at the Champa Sculpture Art Museum in the central city of Danang.

20) My Son E1 altar (Champa culture 192 – 1832), currently kept at the Champa Sculpture Art Museum in Danang.

21) Tra Kieu altar [sic] (Shiva Lingam & Yoni) (Champa culture 192 – 1832), currently kept at the Champa Sculpture Art Museum in Danang. The altar is a typical symbol of the royal citadel of Champa in Tra Kieu.

22) Buddha Amitabha Statue (Ly Dynasty 1009 – 1225), currently kept at Phat Tich pagoda in Tien Du District in the northern province of Bac Ninh.

23) Statue of Buddha with a thousand eyes and hands from Le Trung Hung Dynasty (1533–1789), currently kept at But Thap pagoda in Thuan Thanh District in the northern province of Bac Ninh.

24) “Cuu Vi Than Cong,” a set of nine bronze cannons from Nguyen Dynasty (1802 – 1945). The set is kept at the Hue Royal Antiquities Museum.

25) “Cuu Dinh” (The Nine Tripod Cauldrons of Nguyen Dynasty 1802 – 1945) is a set of nine bronze censers, vessels used for burning incense, in the Hue ancient citadel. The censers are different from each other, symbolizing the difference in the personality of the nine emperors of the dynasty. The set is currently kept at the Hue Royal Antiquities Museum.

26) A 37mm anti-aircraft gun used by the Vietnamese People’s Army in the historical Battle of Dien Bien Phu in 1954, currently kept at the Air-Defence and Air Force Museum in Hanoi.

27) A MiG 21 F96 aircraft, numbered 5121, used by Vietnam People’s Air Force in the historical battle of “Dien Bien Phu in the air” in 1972, currently kept at the Vietnam Military History Museum in Hanoi.

28) A notebook reporting on the Ho Chi Minh Offensive, currently kept at the Military Zone 7 Museum in Hanoi. The offensive from April 25 to May 1, 1975 ended the Spring Offensive, as well as the Vietnam War against America.

29) A T54 tank, numbered 843, used in the Ho Chi Minh Offensive, currently kept at the Vietnam Military History Museum in Hanoi.

30) A T59 tank, numbered 843, used in the Ho Chi Minh Offensive, currently kept at Hanoi’s Tank – Armour Museum.

Tuoitrenews/VOV online


Note: Written in 1999 under my former nom de plume Vrin Parker. More recent evidence suggests other relatives of Alexander may be buried there. Yet this has not been conclusively established. Either way, the evidences of Vedic/Asian type artifacts found within the tomb remain.


In 1977, , a royal tomb was found at Vergina, near Saloniaca, in Macedonia, Greece. All the evidence proves it to be the tomb of King Philip, the father of Alexander the Great. However, Western scholars were puzzled because of the many artifacts, within the tomb of an obvious Indian/Vedic nature. Because of  these artifacts, some experts dated the tomb to a time after Alexander’s. This theory is no longer being accepted. 

Everything in the Tomb, the body in particular, prove the tomb to be that of King Philip, the Father of Alexander the Great.  However, for the past 20 years, mainstream academia refused to accept it. Their objections were based on the fact that the tomb was full of Asian artifacts. They argued that these influences could only have come after Alexander’s Asian campaigns. Based solely on this point, they refused to identify the tomb as belonging to King Philip of Macedonia.

It has since been proven that the tomb does belong to King Philip, the father of the famous Alexander. Miniature sculptress found in the tomb are exact replicas of known images of King Philip and Alexander the Great. All the evidence points to the conclusion that the tomb is without a doubt that of Philip. The many Indian artifacts in the tomb prove that Ancient Macedonia and Greece had strong links to India that predate Alexander’s long March Eastward.

Artifacts from Tomb frequently used in historical documentaries

In Michael Wood’s series, In the Footsteps of Alexander the Great, he presents 2 of these sculpted portraits of Alexander and Philip. Archeologists accept these sculpted portraits of Alexander, as the only ones made during his lifetime. Philip’s portrait is also recognized as being made in his lifetime.

King Phillip II of Macedonia

The TV Documentary War and Civilization also featured these same sculptures as being that of Alexander and Philip.
Where were these portraits found? They were found in the Macedonian tomb, discovered in 1977.

Tomb Pre-dates Alexander’s March to Asia

Because the tomb is full of Vedic/Indian style artifacts, this is solid proof that Greek culture had a strong connection to India, long before Alexander’s time. The body interned in the tomb, fits every ancient description of King Philip. Without a doubt, it is the tomb of King Philip.

The question is,“Why does King Philip’s tomb have so many Indian influences? How is it possible if the Greek and Indian cultures had no direct contact until Alexander’s Asian campaigns?” The answer is simple. Because Greek culture was originally, Vedic in nature, it is only logical that there would be strong similarities to Indian culture in Greek art, religion and culture.

The tomb of King Philip is also more than proof of Greece’s Vedic past.

It is a smoking gun exposing the odd Academic silence about Humanity’s Ancient Vedic Heritage. Though western scholars are now admitting the tomb to be Philip’s, they are staying mute about the evidences proving Greece’s Vedic heritage. On one hand, western academics are using these tomb artifacts to promote various theories, and on the other hand, they are ignoring the artifacts that prove their theories wrong. Because there is no doubt about the Vedic artifacts found in this one case, one wonders as to how much evidence is out there that has been ignored and perhaps even destroyed.

It is obvious that the current mainstream academic community, has made up it’s mind about world history. Any evidence that contradicts their theories, is not accepted. Rather than change their pet theories, these so-called scholars are willing to change the historic record and force it to conform to their views.

This is the great ignorance of truth that is being perpetrated on the world at large. It is even more ironic that this is being done by the very people,ie. the historians, who have a duty to research and present a true and accurate record of the world’s ancient past.


In this case, however, the evidence is still available for the serious researcher to evaluate. Some of the items found in the tomb, include a large ceremonial gold shield, decorated with Vedic Swastikas, a beautiful fresco of a lion hunt, still in full color.

Clearly defined, in this fresco, are boundary markers tied around trees. This is a recognized feature of Indian Royal hunting grounds and yet they are clearly seen in this 2300 year old Macedonian fresco. A royal diadem and gold belt, of the type worn by Asian Kings and Princes, were found. Gold solar emblems reminiscent of the Solar Dynasty (Surya Vamsha) were also found in abundance.

These are the most obvious evidences, that we know of. For now, one can only guess as to how much other evidence could be found if Vedic historical researchers, were allowed access to this find.

And one can only wonder how many important finds have gone unrecognized by the mainstream academic community, that has no will nor ability to recognize Vedic artifacts.